Gallop apace, you fiery-footed steeds, Towards Phoebus' lodging! Such a wagoner As Phaeton would whip you to the west And bring in cloudy night immediately.
He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan[6] during the Easter— Passover season.
The girl Romeo and juliet juliet s monologue survived the Holocaust and emigrated from Israel; the conflict was to be centered around anti-Semitism of the Catholic "Jets" towards the Jewish "Emeralds" a name that made its way into the script as a reference. Bernstein wanted to present the material in operatic form, but Robbins and Laurents resisted the suggestion.
They described the project as "lyric theater", and Laurents wrote a first draft he called East Side Story. Only after he completed it did the group realize it was little more than a musicalization of themes that had already been covered in plays like Abie's Irish Rose.
When he opted to drop out, the three men went their separate ways, and the piece was shelved for almost five years. Cain novel Serenade, about an opera singer who comes to the realization he is homosexual, and he invited Laurents to write the book.
Laurents accepted and suggested Bernstein and Robbins join the creative team. Robbins felt if the three were going to join forces, they should return to East Side Story, and Bernstein agreed. Sondheim auditioned by playing the score for Saturday Nighthis musical that was scheduled to open in the fall.
Laurents liked the lyrics but was not impressed with the music.
Sondheim did not care for Laurents' opinion. Serenade ultimately was shelved. While in Hollywood, he contacted Bernstein, who was in town conducting at the Hollywood Bowl. The two met at The Beverly Hills Hoteland the conversation turned to juvenile delinquent gangsa fairly recent social phenomenon that had received major coverage on the front pages of the morning newspapers due to a Chicano turf war.
The two contacted Robbins, who was enthusiastic about a musical with a Latin beat. He arrived in Hollywood to choreograph the dance sequences for The King and Iand he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York.
When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind, he backed out of the film, freeing him to devote all his time to the stage musical. Bernstein had decided he needed to concentrate solely on the music, and he and Robbins had invited Betty Comden and Adolph Green to write the lyrics, but the team opted to work on Peter Pan instead.
Laurents asked Sondheim if he would be interested in tackling the task. Initially he resisted, because he was determined to write the full score for his next project Saturday Night had been abortedbut Oscar Hammerstein convinced him that he would benefit from the experience, and he accepted.
Later the scenes related to Juliet's faking her death and committing suicide also were deleted. Language posed a problem; four-letter curse words were uncommon in the theater at the time, and slang expressions were avoided for fear they would be dated by the time the production opened.
Laurents ultimately invented what sounded like real street talk but actually was not: With the help of Oscar Hammerstein, Laurents convinced Bernstein and Sondheim to move "One Hand, One Heart", which he considered too pristine for the balcony scene, to the scene set in the bridal shop, and as a result "Tonight" was written to replace it.
Laurents felt that the building tension needed to be alleviated in order to increase the impact of the play's tragic outcome, so comic relief in the form of Officer Krupke was added to the second act.
He was outvoted on other issues: Another song, "Kid Stuff", was added and quickly removed during the Washington, D. Just as Tony and Maria, our Romeo and Juliet, set themselves apart from the other kids by their love, so we have tried to set them even further apart by their language, their songs, their movement.
Wherever possible in the show, we have tried to heighten emotion or to articulate inarticulate adolescence through music, song or dance.
Bernstein was despondent, but Sondheim convinced his friend Hal Princewho was in Boston overseeing the out-of-town tryout of the new George Abbott musical New Girl in Townto read the script.
He liked it but decided to ask Abbott, his longtime mentor, for his opinion, and Abbott advised him to turn it down. Prince, aware that Abbott was the primary reason New Girl was in trouble, decided to ignore him, and he and his producing partner Robert Griffith flew to New York to hear the score.
Robbins then announced he did not want to choreograph the show, but changed his mind when Prince agreed to an eight-week dance rehearsal period instead of the customary foursince there was to be more dancing in West Side Story than in any previous Broadway show, [17] and allowed Robbins to hire Peter Gennaro as his assistant.Oh, I have bought love’s mansion, but I haven’t moved in yet.I belong to Romeo now, but he hasn’t taken possession of me yet.
This day is so boring that I feel like a child on the night before a holiday, waiting to put on my fancy new clothes. Iliana Jaime 8Q Mrs. McCauley Juliet’s Monologue - Commentary In Juliet’s monologue from act 4 scene 3, it is the night before Juliet seals her marriage with Paris.
Teen Shakespearean monologues for both males and females. We have suggestions and downloads for teen monologues. Context specific information. Questions about the scene (for after acting it out).
Things to note about this scene (analysis information). A discussion of the key themes in this scene. A list of monologue ideas for Romeo, Benvolio and Mercutio.
A YouTube. Romeo and Juliet: Essay Topics 1). Discuss the character of Romeo and his infatuation with Rosaline. Does this weaken the credibility of the love he feels for Juliet?
2) Friar Laurence serves many dramatic purposes in the play. Examine the Friar and his role in Romeo and Juliet.. 3) Mercutio is considered to be one of Shakespeare's great creations, yet he is killed relatively early in the play.
Romeo and Juliet is among the most popular plays ever written in the English language. Written by the master playwright William Shakespeare, it tells the story of two young lovers whose families have a long history of violence against each other.